
Next Friday, August 10, Sci Fi Channel debuts its new series featuring Alex Raymond's Flash Gordon, possibly the longest running recurring character in the history of science fiction. I have high hopes for the series, and if successful it would make for a pretty solid couple of hours as it is being run back to back with the newest (and way cool) incarnation of Dr. Who.
For a full history of the character, Wikipedia has a pretty extensive article here. Personally, my interest in the character began with a series of novels launched in 1973. These books presented Flash as a character whose home base was the planet Earth as it was in later years of Alex Raymond's comic strip and the 1954-1955 TV series that starred Steve Holland, as opposed to the many film and comic book versions that took place solely on the planet Mongo. Series regulars Dale Arden and Dr. Hans Zarkov appeared in the novels, and while the covers carried Alex Raymond's name, the novels were ghost written by the likes of Ron Goulart, among others. Click on any of the cover images below for a closer look.
The Lion Men of Mongo
This first novel in the series was the one that evaded me. Research tells me that this is the Flash Gordon origin story, in which Flash, Dale, and Zarkov land on the planet Mongo and battle the nefarious Ming the Merciless.
The Plague of Sound
A giant spider, an underground city, and a mad muscian who seeks to rule a planet by the shattering effects of ultra high frequency sound.
The Space Circus
Trapped on the planet Mesmo, Flash is forced into slavery where he must perform as a trapeze artist in a circus of extraterrestrials.
The Time Trap of Ming XIII
In the distant future, a descendant of Ming the Merciless sends his minions back in time to assassinate Flash Gordon.
The Witch Queen of Mongo
Flash, Dale, and Dr. Zarkov are transported to Mongo by a teenager with the ability to bend reality, where they become the prisoners of Queen Azura and her consort Ming Jr.
The War of the Cybernauts
This was the first of the series that I stumbled across. Not really a problem since the books can be read in any order (maybe with the exception of the first). Flash and Zarkov crash on a planet inhabited by robots and plagued by an ongoing war. This book had the best cover of the series, featuring some classic pulp style robots.
Saturday, August 04, 2007
Flash Gordon: A Truly Novel Character
Saturday, July 28, 2007
NEXUS: SPACE OPERA #1
Comic Book Review
The 1980s was a great time to be a comics fan. The new direct sale market allowed many small publishers to get their product into comic book stores without the large outlay of cash required for newsstand distribution. A lot of crappy comics got published, but for those of us willing to sort the wheat from the chaff there were finally books that presented an alternative in a market that had been dominated by Marvel and DC. One of the absolute best of this bunch was Mike Baron and Steve Rude's Nexus. The book was initially published by Capital Comics, then First Comics, Dark Horse, and now artist Steve Rude is self-publishing through his Rude Dude Productions imprint.
This is the first of a four issue mini-series, but the book also carries over the numbering from the last Dark Horse issue from ten years ago, making this also the 99th issue. Nexus is a fusion-powered assassin who targets mass murderers. His home base on a moon called Ylum has become a place where sentients of many species can seek asylum from tyranny. Nexus's long time companion Sundra Peale is about to give birth to the couple's first child. Nexus, however, has garnered many enemies over the course of 99 issues, and several nefarious looking villains of varying species are plotting the death of the unborn child. There is unrest between a pair of fanatical religious sects called the Alvonites and the Elvonites, and President Tyrone is hard pressed to keep the peace without Nexus backing him up.
Seeing these characters again after so long is like running into old and dear friends you never expected to see again. We've yet to get reacquainted with Dave of Thune and his son Fred, better known as The Hammer, and I'm hoping Baron and Rude are saving that pleasure for next issue. Many of the early issues of Nexus carried a quote from science fiction author Harlan Ellison that said Nexus "glows with originality." It was truly unique in its day, and it's still a great read. I eagerly await the second installment of Space Opera.
Who Wants to be a Super Hero? #1:
Comic Book Review
I think of Stan Lee in much the same way I think of Lucille Ball. Lucy was a groundbreaking entertainer and her first TV show I Love Lucy is credited with inventing the three-camera sitcom format that is still used today. She went on to star in two more successful sitcoms and garnered four Emmys. I respect the hell out of her accomplishments, I just never thought she was funny.
Stan Lee, of course, co-created all the major hitters of the early days of Marvel Comics, in tandem with whichever artist was working on the book. Lee had a hand in Spider-man, X-Men, Daredevil, The Hulk, The Fantastic Four... It's an impressive list, and the early Marvel Comics had a level of characterization that was missing from the Distinguished Competition. As with Lucy I respect what he did, giving the world so many enduring characters, but Stan was never much of a writer, and I find most of those early stories unreadable.
Comics have evolved quite a bit since then, but judging from Dark Horse's Who Wants To Be A Super Hero? #1, Stan's writing has not. The subject of this first issue is a character named Feedback, based on the winner of last summer's Sci Fi Channel reality show Who Wants To Be A Super Hero? As was established in the show, Feedback is a computer tech geek who after being struck by lightning while holding a video game controller (dear God, did I just write that?) he is endowed with strange electrical powers. You might think this was being played for laughs, but the story is played as straight super hero melodrama. Without exaggeration, nearly every panel in this book had me inwardly shrieking "who the hell talks like this?" I'm not entirely sure if he's intentionally doing a retro thing here, trying to ape the ridiculously over the top style of his earlier work. If this is the case, my response is that an imitation of crap is still crap.
As the winner of last summer's Who Wants To Be A Super Hero?, Feedback was also supposed to appear in a Sci Fi Channel original movie. Given the quality of most such efforts, perhaps it's best that the movie hasn't materialized. I honestly enjoyed the show, and even though Feedback's win was a bit of a surprise (I had thought Major Victory was a shoe-in), I thought he was a deserving winner. Nobody, however, deserves this comic.
Wednesday, July 25, 2007
Monday, July 16, 2007
Friday, July 13, 2007
Actor Kerwin Matthews Dies

Tim Lucas reported recently on his Video Watchblog that Kerwin Matthews, (pictured above with co-star Kathryn Grant) star of 1958's The 7th Voyage of Sinbad which scared the living crap out of me at a young age, recently passed away at the age of 81. I knew Matthews best from the Sinbad film, 1960's The Three Worlds of Gulliver (which, like 7th Voyage, had him working opposite some of Ray Harryhausen's magnificent stop motion animation) and the much lesser film (though fondly remembered by me) The Boy Who Cried Werewolf from 1973.
Grindhouse Double Feature Review on Cinematical
The movie Grindhouse may have tanked at the box office, but the film's existence has shed light on the grindhouse phenomenon, spurring several DVD companies to reissue classic flicks from the golden age of sleaze. This double feature (with trailers) of Pick-up and The Teacher just hit shelves and you can read my review of it in my Killer B's on DVD feature over at Cinematical.
Thursday, July 12, 2007
Wednesday, July 11, 2007
How Creepy Would The Simpsons Be in the Real World?
Question: How creepy would The Simpsons be in the real world?
Answer: Creepy. Very Creepy. Creepy like a bucket of spiders. Creepy like old people sex. Judge for yourself:




